Won’t You Tell Me

by Munks

Do people running or contributing to the running of any given “art show”, ( I.e. directors, jurors, sponsors, judges, show staff, administrative assistants, volunteers, charities, booth-sitters, security, and countless others.), understand or even care as to what it means to their show, to the genuine artists, and to the patrons of art and all things artistic when they reject even one authenitic artist in favor of any buy/sell vendor?

Can one, just one person involved in any art show or any one buy/sell vendor who sneaks past some jury explain how allowing such a practice benefits the show specifically and art in general?

I am not talking about craft shows or something-for-everyone-schlock-orgies. I am talking about the shows touted as real art fairs – how can a real artist or artists be given the dismissive “better luck next year” letter and then walk past a brothel of import or production studio kitsch without so much as an inkling of an explanation from those people responsible for the mess we call art fairs.

I would like to see one person from the show side, not an artist trying to suck up to a show, just someone from the show side of things that can explain this excrement and why it continues to feed a situation that leaves artists, real artists duct-taped in a van by any river.

Explain why buy/sell is OK.

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